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Hostel: Part 2 The Hostel trilogy boasts a wide array of upsetting death scenes, but there's something bleakly fascinating about the blood-bathed 'Bathory' sequence from Hostel: Part II that really gets under my skin. For what feels like forever, we watch a member of the twisted murder club slit a young woman's throat and then bathe in the blood flow. As sick as it gets. I still contend that there's a lot more to the Hostel movies than just the gore, but if it's 'just the gore' you're after, then this freaky scene fits the bill. Alligator On one hand, this movie is a very simple horror story about a very large alligator that terrorizes Chicago. On the other, it's a surprisingly clever Jaws homage/parody that offers some very cool gator FX. Nothing in this film scares me as much as the scene involving a few young boys, a dark swimming pool, and a very hungry alligator.

Even with the raging jaws obscured by sloshing water, it's still gasp-worthy. I'm not ashamed to admit that this scene gave me nightmares for weeks when I was a kid. Deadly Friend Most of the kills on this list are shocking, gruesome, or particularly impressive in a special effects sense. This one is just nutty. It's not every day you see an evil robotic teenage girl throw a basketball so hard that it blows somebody's head off, but that's precisely what Wes Craven came up with here.

With hindsight it seems pretty obvious that this murder scene is being played for laughs, but it sure doesn't play that way as it happens. The result is a sequence that's as unexpected as it is irretrievably wacky. Psycho Is the shower scene too obvious a choice to be included on this list? That scene is so iconic, so influential, and so damn creepy (yes, still) that I'd kick myself forever if I didn't put it on the list. And if you've never actually watched Psycho all the way through, you might wonder what makes this scene so damn important. Not only is it a meticulously crafted piece of suspense, but the twist adds its own shock. Because, well, this isn't the sort of thing that's supposed to happen to our lead character.

Hitchcock knew this scene would keep his audience off-balance, and he clearly had a great time putting his audience in that frame of mind.

— • A young woman, Marnie Watson, is granted early release from her prison sentence for manslaughter (killing her husband - a violent NYC cop - in self defense) on condition she wear an electronic ankle bracelet and remain within her home, effectively under house arrest, for the remainder of her sentence. Her late husband's partner keeps tabs on her from a patrol car parked across the street, hoping she'll violate probation and he can send her back to prison. But the 100-foot radius her ankle bracelet allows isn't the worst of her problems. Her dead husband --now a malevolent ghost--is still in the house, where he died -- intent on savage revenge. — • After seven years and fifty-two days in prison, Marnie Watson returns to her old house in Brooklyn, New York, under the house arrest condition for the next six months. Marnie was sentenced for killing her abusive and brutal husband, the policeman Mike Watson, in self-defense and she must wear an electronic brace around her ankle that allows her to move in a 100-foot radius in the house during her probation.